Our design team covers different disciplines such as UI/UX design, product design, consulting and marketing. Everyone in our team contributes with their own set of skills, but also with their unique personality. What unites us is the joy of developing high quality products with our clients – be it hardware, digital or service.
Working creatively is a given in our industry, but we also work in a versatile and application-oriented way. We look at our solutions and approaches from all angles to exploit the full potential and achieve the best possible results for our clients and their final users.
The reason: good design is not just about creating something that fulfils aesthetic requirements. Of course, this is part of good design, but more than that we want to understand the project background and the end users in all their facets. This is the only way to realise the full potential and to achieve the best possible results for our clients and users.
You can find our current vacancies below. We are always happy to receive impressive unsolicited applications. We look forward to hearing from you!
Working for us is worthwhile. No two days are the same: Boredom does not exist in our vocabulary. Our design projects are not just about sprucing up a new application. We delve into the nitty-gritty and extract the last few percent of efficiency for our clients. After all, design should first and foremost fulfil a practical purpose – and thus make a user’s life easier and safer. If meaningful design is also close to your heart, you’ve come to the right place!
… and we do our best to live by it! We particularly welcome applications that contribute to the diversity of PESCHKE and would like to encourage applicants from different backgrounds, ethnicities, nationalities, ages, religions, sexual orientations, gender identities and those with disabilities to apply to us. We want to get to know you for who you are!
After all, talent and a great personality contribute much more to our team than belonging to a social majority. Every single one of us shares this attitude. When selecting our applicants, we therefore focus on finding people who are the best addition to our team based on their professional expertise and character.
Important: Unfortunately, we have one exception. Our building is not barrier-free for people with limited mobility. As the office is situated in a listed building, we are unable to implement the necessary structural measures to achieve full accessibility.
Up before the sun or most productive in the evening? Not to worry – our flexible working times and home office days have got you covered. (Don’t worry, we don’t offer all-in contracts ♥)
Classic 9 to 5 or modern part-time lifestyle? You get to decide! Everyone has different wants and needs that we can cover with individual working time models.
Not only the design industry is growing – we want our employees to grow too. We therefore place great value on supporting everyone in our team with opportunities to hone their skills and to learn new ones.
We are a wild mix of great characters and work exceptionally well as a team. We are looking forward to welcome our newest team member!
Wie entstehen realistische, dynamische Menschenmengen in 3D, die sich intelligent bewegen und auf ihre Umgebung reagieren? Mit Reallusions Motion Director in iClone (@reallusionofficial ) erschaffen wir echte Crowd-Simulationen, die sich ideal für Filme, Games & Animationen eignen🎬🎮
Was macht iClone Motion Director so besonders?💡
🔹 Echte Simulation: Charaktere interagieren mit ihrer Umgebung und untereinander
🔹 Props & Umwelt-Interaktion: Figuren setzen sich auf Bänke, plaudern oder telefonieren
🔹 Individuelle Bewegung: Jede Figur hat ihr eigenes Verhalten & Bewegungsmuster
🔹 Bis zu 100 Charaktere möglich: Von Lowpoly bis Highpoly (z. B. in Macro-Qualität)
🔹 Komplex & individuell anpassbar: Je größer die Crowd, desto dynamischer die Simulation
Nach der Simulation importieren wir die Charaktere in Blender, um ihnen den finalen Feinschliff zu geben! 🚀
📽 Seht euch gleich unser Making-of-Video unseres 3D Artists @salve.vision an!
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Dass UX (User Experience) Design echte Mehrwerte schafft, ist für Designer klar – doch wie sieht das in wirtschaftlichen Zahlen aus?
Das lässt sich mit ROI (Return on Investment) Berechnungen herausfinden. Gehen wir dafür von Folgendem aus:
» Ein Unternehmen möchte die Conversion Rate seines Online-Shops verbessern (= wie viele Website-Besucher eine gewünschte Handlung ausführen; in diesem Fall: einen Einkauf tätigen).
» Die Kosten für die UX-Maßnahmen (Personalkosten, Implementierung, Testing etc.) liegen bei €18.000.
» Nach ersten Messungen steigt die Conversion Rate von 1,9% auf 2,2% im Monat an.
» Das Unternehmen hat 9.700 Online-Shop-Besucherinnen im Monat. Gemäß Conversion Rate steigen die monatlichen Käufe daher von (1,9% x 9.700=) 184 auf (2,2% x 9.700=) 213 an. Die Differenz beträgt also 29 Käufe.
» Der Durchschnittswarenkorbwert liegt bei €100 pro Kunde. Bei einem Anstieg um 29 Käufe betragen die zusätzlichen Einnahmen demnach €2.900 im Monat.
» Auf ein Jahr gerechnet werden somit €34.800 mehr Einnahmen aus dem Online Shop erzielt.
Wie auf der Grafik zu sehen, berechnet sich der ROI in Prozent wie folgt: ((aktueller Wert der Investition - Investitionskosten) / Investitionskosten) * 100.
In unserem Beispiel bedeutet das: ((€34.800 - €18.000) / €18.000) * 100 = 88,9%.
Das heißt: Im ersten Jahr werden bereits 88,9 % der Investitionskosten (= €16.000) für die UX-Maßnahmen durch die Mehreinnahmen gedeckt.
Diese Berechnungen lassen sich natürlich auch für andere Ziele wie Gewinnsteigerung durch eine stärkere Kundenbindung oder Senkung von Support-Kosten durchführen. So können smarte Entscheidungen für Unternehmen getroffen werden, die sich langfristig auszahlen. 🤓📈✨
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Industrial Design legt den Grundstein für die physische Interaktion zwischen Bediener und Maschine. ⚙️👷
Es konzentriert sich auf Ergonomie und Bedienersicherheit, um Produkte zu schaffen, die nicht nur funktional, sondern auch intuitiv und angenehm zu bedienen sind.
Ein gut gestaltetes Gehäuse oder Bedienelement ist jedoch nur die halbe Miete; die Schnittstelle selbst, also das HMI, muss ebenso überzeugend gestaltet sein. Hier sorgen beispielsweise klar definierte physische Bedienelemente, wie Tasten oder Drehknöpfe, dafür, dass ein Produkt auch in herausfordernden Umgebungen intuitiv nutzbar bleibt – etwa in der Fertigung, im Transportwesen oder bei der Bedienung mit Handschuhen.
Gemeinsam mit UX/UI Design werden diese Elemente nahtlos in digitale Interfaces integriert, damit der Nutzer die volle Kontrolle hat. 🖥️
Mehr zum Thema HMI Design in unserem Blog: https://peschke.at/blog/hmi-ux-ui-design/
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Barrierefreiheit im Web ist kein „Nice-to-have“, sondern essenziell für erfolgreiche digitale Produkte – und sie hängt zu 80 % vom Code und zu 20 % vom Design ab. 💡
Code-Faktoren (80 %):
» Saubere HTML-Struktur & semantische Elemente
» ARIA-Attribute korrekt nutzen
» Tastatur-Navigation sicherstellen
» Kontraststarke & skalierbare Texte
» Alternativtexte für Bilder & Medien
Design-Faktoren (20 %):
» Klare Hierarchien & verständliche Layouts
» Farbkontraste & Schriftgrößen optimieren
» Interaktive Elemente optisch hervorheben bzw. differenzieren
» Verständliche Sprache & gängige UX Patterns
Wer Barrierefreiheit von Anfang an mitdenkt, schafft nicht nur ein besseres Nutzererlebnis für alle, sondern macht die Website für lange Zeit robust und für eine breitere Zielgruppe benutzbar. 🦾
Quelle: https://medium.com/askParamSingh/a-developers-guide-for-web-accessibility-6b85448cc7a0
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Motion capture is a skill – and our 3D artist @salve.vision has mastered it. With the support of Smartgloves (@hellorokoko), we can capture natural hand movements and interactions with 3D props seamlessly. 🎭
The recorded motion data is then retargeted onto the character rig and refined. In this way, we create dynamic and lifelike 3D characters for our clients' animations.✨
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Strong HMI design is a strategic investment in efficiency, safety and operator satisfaction. Curious about how the powerful combination of UX, UI and industrial design can achieve this? Read our latest blog post to find out more about creating intuitive, user-friendly HMIs that support client success:
peschke.at/design-blog
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The new display design for Vienna’s U2 metro line has sparked criticism for being highly confusing.
Anyone looking at the board can tell that. But what specifically makes it so problematic from a design perspective?
» Redundant indicators: Stations with connecting lines feature three different indicators: outlined labels, outlined circles, plus the label of the connecting line underneath the circle. While redundancy can be valuable for making a design more accessible, it fails to do so in this case.
» Inconsistent labelling: “Schottentor” has the same outlined label as stations with connecting lines. This contradicts the logic of the other label outlines.
» Visual clutter: The display shows three different types of labels and three different types of circles, along with greyed-out versions of each. With so much going on, it is hard to spot the most important information.
Do you agree? What would you design differently?
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Icons are everywhere in our digital lives. They quietly guide us through tasks on our mobile phones, tablets and more. But to stay relevant and helpful, these symbols must evolve alongside changing technologies and user behaviour.
Take the phone icon: for younger generations who’ve only ever used smartphones, the image of a landline handset might feel outdated. Similarly, the "Save" icon – a floppy disk – holds little meaning for Gen Z, who’ve likely never encountered one. With cloud storage and parallel use of several devices becoming the norm, a term like "sync" might also better reflect modern workflows compared to “save”.
When updating icons, it is important that they remain clear and resonate with a diverse audience, spanning different generations and cultural contexts.
What do you think? When should an icon get an update, and which ones feel outdated to you? Let’s hear your thoughts in the comments! 👇
Post inspired by Vitaly Friedmann and based on a graphic by Sandro Morghen & Kevin Standke.
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Neues Jahr, neuer Mitarbeiter 😁 Wir freuen uns, mit Florian eine starke Ergänzung in unserem 3D Team zu haben! Er ist unser Experte im Bereich Motion Capture und Character Animation. 🎞️ Wenn er mal nicht in seinem Motion Capture Suit durchs Büro wandert, findet man ihn vermutlich daheim beim Lasagne kochen, in den Bergen, beim Sporteln oder am Malen. 👨🍳🚴👨🎨
Mehr über Flo (@salve.vision) in den Slides ➡️
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2024, you were good to us – here’s to a fantastic 2025!
Happy New Year 🎇✨
(…and good luck getting the date right for the first couple of days/weeks 🤞)
Another year nearly over! Once again, it's time to crack open the biscuit tins, curl up on the sofa with a cosy blanket and unwind. ✨
The PESCHKE team will be taking a well-deserved break from December 20th to January 6th. We wish you a relaxed festive season and look forward to reconnecting with you in the New Year – see you in 2025! ☃️🎄🎁🎆✨
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Bringing 3D characters to life is no small feat, but with the right technology – and a motivated 3D artist willing to squeeze himself into a tight motion capture suit – we’re making it happen 🌟
For our latest project, we've been working on character animation as part of a product video for a window hardware producer, using the Rokoko SmartSuit Pro II and Smartgloves (@hellorokoko). This advanced motion capture setup allows us to record natural movements and interactions with 3D props. 🎭✨
Our production pipeline takes the captured motion data through retargeting onto the character rig and seamlessly imports it into Unreal Engine 5 for further refinement. The result? A dynamic and lifelike 3D character ready to shine (e.g. by opening windows in our animation 🤓).
Here is a quick insight into character movement and our 3D Artist Florian (@salve.vision) using his Rokoko equipment 🧑🚀
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Let's create something together!
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